Inspiration - a great thing. You take up the pen, and thoughts by itself pour out not paper... And then, when you re-read, there are questions: and where composition, where symmetry, where harmony in the ratio parts? To avoid similar unpleasant surprises, it is necessary to clamp inspiration in a vice of the accurate plan.
Instruction
1. The plan of any verbal work begins with composition. Each story has to have following composite parts: exposition, tie, action development, culmination, outcome. The main characters are outlined in an exposition, the situation in which events will develop appears. A conflict tie - a starting point of its development. These parts of the story - some of key because form an initial impression of the reader of the work.
2. Action development - the main part of the story where there are events which in the subsequent will lead to the conflict culmination. In your forces to make this point of the plan more or less intense. However you remember also that you should not delay too development action, and that readers will stop reading your brilliant work, without having reached the most interesting.
3. The culmination and an outcome - that ""interesting"" for what stories, actually, are also written. Here readers, with bated breath, learn who the murderer learn the gardener or the maid; here they capture a work essense, understand why you wrote it and that wanted to tell; therefore try, sit on these parts longer, several times read and recheck, trying to get into the role of that person who will wander roads of your thoughts subsequently.
4. However when writing the story consider not only quantity of parts and quality of what they comprise. It is very important to pay attention to a ratio of parts because the composite harmony of the text also is based on it. Do not tighten one part, having left on another one-two obscure offers. Also develop the author's intuition: no councils and recommendations will replace to you fully your own genius.